Full Exhibition List — smudge studio

FULL PROJECT + EXHIBITION LIST 2005-preseNT

002022
toofprints, documenta fifteen, in collaboration Alice Yard, Port of Spain, Trinidad/Kassel, Germany
Careful Infrastructures for Reassembled Lands, Toronto Waterfront Project, in collaboration with Lisa Hirmer
Solastalgic Archive (with Nina Elder), University of New Hampshire Museum of Art
Starting with the Tilt of the Earth, OBSERVATORY, Belfast, ME
2021
Drawing a Line to the Sun, Summer Tea in Prospect Park, Nature Tea
2020
This Time With Tea, Summer Tea in Prospect Park 2020 (virtual)
Alchemy of Uncertainty, with The Alcyon Center, Mount Desert Island, ME (virtual)
2019
   Cosmos Night: Flood of Light, Arts Letters and Numbers, Averill Park, NY
        Deep Time Lab, with Nina Elder, University of New Mexico Art Museum
         Tea at the Tilt of the Earth, Henry Art Gallery, hosted by the Cross-disciplinary
   Research Cluster on the Anthropocene, Washington University
2018
Power of Now, Pasquart Switzterland.
        Ambiguous Territory: Architecture, Landscape and the Postnatural, Pratt Manhattan Gallery, New York
        University of Virginia, Charlottesville, VA
        Field Remediations with Karolina Sobecka and The Cybernetics Library, Queens Museum
2017
Incident Report: Reports, September Gallery, Hudson, NY
         Ambiguous Territory: Architecture, Landscape and the Postnatural, University of Michigan Taubman College Gallery
         con•tin•u•ums (time beyond lifetimes), curated by Patrick Jaojoco, Pfizer Building, Brooklyn, NY
         Postcards for the Anthropocene: Unsettling the Geopolitics of Representation,
University of Edinburgh, School of Architecture and Landscape Architecture, Scotland
         Conveyance | what’s here, Santa Fe Art Institute Gallery, Santa Fe, NM
2016
Climate Research Project, Journal of Aesthetics and Protest, 7th International UNESCO Conference on Global Geoparks,
Torby, England
         Climate Kit: Tools of/for/from the Anthropocene, Dunedin, New Zealand, project managed by Sara Dean
         toofprints, Alice Yard, Port of Spain, Trinidad
         Open Studio, Rising Waters II (residency group exhibition). Robert Rauschenberg Foundation, Captiva, FL
         Meaning Making Meaning, A-Venue, Göteborgs, Sweden
2015
   From Trinity to Hiroshima and Beyond (Atomic Photographers Guild group exhibition),
Old Bank of Japan, Hiroshima Branch, Hiroshima, Japan
   Golden Spike: Rock Shop of the Anthropocene, Logan Square Comfort Station, Chicago, IL
         Look Only at the Movement (solo show), Nevada Museum of Art, Center for Art + Environment
         Official Office, Recess (NYC) and STORE (Dresden)
2014
   Dirt Dialogues, 20th World Congress of Soil Science, Jeju, Korea
         Soil Culture Forum, Falmouth England
         Inhabiting Change, small projects, Tromsø, Norway
         Look Only at the Movement (solo show), Center for Land Use Interpretation, Wendover, UT
       Look Only at the Movement (solo show), Santa Fe Art Institute, Santa Fe, NM
2013
   Look Only at the Movement (solo show), Sheila C. Johnson Design Center, Parsons, The New School for Design, New York, NY
         Annual Juried Competition (Photography), Schoolhouse Gallery, Provincetown, MA
         T.I.M.E., Semmer-Berlin, Prenzlauer Berg, Berlin, Germany
         Secret Wars, Proteus Gowanus, Brooklyn, NY
2012
   Behind The Atom Curtain (group exhibition of the Atomic Photographers Guild),
          Rocky Flats Cold War Museum, Arvada, CO
         Zuihitsu: Look Only at the Waves (solo show), Area Gallery, University of Southern Maine, Portland, ME
         NY Art Book Fair, Printed Matter, Inc., MoMA PS1, New York, NY, exhibited by Soberscove Press
         Ten Days That Shook the World, Herring Cove Beach Bathhouse, Cape Cod National Seashore, Provincetown, MA
         Thingness of Energy (solo show), Sheila C. Johnson Design Center, Parsons, The New School for Design, New York, NY
         In the Interest of Time (solo show), Brazos Gallery, Richland College, Dallas, TX
         Object Migration, Proteus Gowanus, Brooklyn, NY
         Mapping the Surface, Central Booking, Brooklyn, NY
2011
   NY Art Book Fair, Printed Matter, Inc., MoMA PS1, New York, NY, exhibited by Soberscove Press
         Geologic City, pop-up exhibition and launch party, Studio-X, New York, NY
         Artists in Residence for the US Government (Self-Declared), A Project by Maureen Connor and
the Institute for Wishful Thinking, Momenta Art, Brooklyn, NY
         The Atlantic Cable, Incident Report, Hudson, NY
2010
   NY Art Book Fair, Printed Matter, Inc., MoMA PS1, New York, NY, exhibited by the Journal of Aesthetics and Protest
         NURTUREart Benefit Show, ZieherSmith Gallery, New York, NY
         New Media, Provincetown Art Association and Museum, Provincetown, MA
         Landscapes of Quarantine, Storefront for Art and Architecture, New York, NY, curated by Geoff Manaugh and Nicola Twilley
2009
   Worlds To Come (solo show), Sweet Lorraine Gallery, Red Hook, NY
   NURTUREart Benefit Show, Claire Oliver Gallery, New York, NY
         Quaking Bog, Provincetown, MA
         Video Party, Schoolhouse Gallery, Provincetown, MA
2008
   Tea Shack, Art by the Sea Trap Shed, Provincetown, MA
         The Woodlands Project, The Porches Inn at MASS MoCA, North Adams, MA
2007
   Site Matters: Brooklyn, Brooklyn Arts Council Gallery
         Poetics of Nightsoil, 11th Annual DUMBO Art Under The Bridge Festival, Brooklyn, NY
         Limit Cases, Polar Inertia Issue #29
         Colors of New York, Chasham Gallery, New York, NY
         Imagined Worlds, REDHEAD LMCC Space, New York, NY
2006
   East River Reverses: Becomes New York, 10th Annual DUMBO Art Under The Bridge Festival, Brooklyn, NY
         Open Studio Exhibition, Lower Manhattan Cultural Council, 125 Maiden Lane, New York, NY
         Follow the LOVE in North Adams, Center for Detourism; Contemporary Artists Center, North Adams, MA
         Channels: Emerging Media Publics, Lower Manhattan Cultural Council, 15 Nassau Space, New York, NY
         Back to Nature, Contemporary Artists Center, North Adams, MA
         Marconi Machines, WOMR, Provincetown Community Radio, Provincetown, MA: Live radio broadcast and web exhibition

GRANTS AND AWARDS:

Hemera Foundation, Tending Space Fellowship for Artists, Summer 2017, Spring 2018, Fall 2019. Granted for study with David Hinton, Kazuaki Tanahashi, Zuisei Goddard, Hobai (Chado), Zen Mountain Monastery, NY

Research Council of Norway, 2013-16, Guest Researchers Spring 2014. Granted for Future North, Project manager: Janike Kampevold Larsen, Oslo School of Architecture and Design

Graham Foundation for Advanced Studies in the Fine Arts, 2012, Research and Development category. Granted for Repository: A Typological Guide to America’s Ephemeral Nuclear Infrastructure

The New School Green Fund, 2012 in collaboration with the Vera List Center for Art and Politics, New York, NY. Granted for Thingness of Energy

New York State Council for the Arts (NYSCA), Architecture Planning & Design, 2012. Granted for Repository: A Typological Guide to America's Ephemeral Nuclear Infrastructure

Brooklyn Arts Council regrant, New York Department of Cultural Affairs, 2011. Granted for Geologic City: A Field Guide to the GeoArchitecture of New York

New York State Council for the Arts (NYSCA), Architecture Planning & Design program 2011. Granted for Geologic City: A Field Guide to the GeoArchitecture of New York

Parsons Design and Social Sciences Fund, The New School, 2008. Granted for extrememediastudies.org

Faculty Development Fund, The New School, 2008. Granted for extrememediastudies.org

Lower Manhattan Cultural Council, Swing Space, WorkSpace, 2006, 125 Maiden Lane, New York, NY

PUBLICATIONS:

Turning into the Night, Œ Case Files, Vol. 01, ed. Simone Ferracina, punctum books, 2021.

"Steps (ippo ippo ippo)", in Lexicon for an Anthropocene Yet Unseen, eds. Cymene Howe, Anand Pandian, punctum books, 2019.

“Empty Practice for Meeting the Path of Totality,” Postcards for the Anthropocene, eds., Benek Cincik and Tiago Torres-Campos, DPR-Barcelona, 2019.

“Inhabiting Change,” in Future North, eds. Janike Larsen and Peter Hemmersam, Routledge, 2018.

“Look Only at the Movement,” in Nuclear Culture Source Book, ed. Ele Carpenter, Black Dog Publishing, in partnership with Bildmuseet and Arts Catalyst, October 2016.

The New Explorers, Kristin Timkin, Conveyance Press, 2015.

“Practices for Turning into the Anthropocene,” in The Geologic Imagination, Sonic Acts, Amsterdam, 2015.

“Stability/Instability,” Speculation Now: Essays and Artwork, eds. Vyjayanthi Rao, with Prem Krishnamurthy and Carin Kuoni, Vera List Center for Art and Politics Duke University Press, 2015.

“Design Specs in the Anthropocene: Imagining the Force of 30,000 Years of Geologic
Change,” in Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies, eds. Heather Davis and Etienne Turpin, Open Humanities Press, 2015.

“Geologically It’s Now,” in Landscape Futures, ed. Geoff Manaugh, Actar and the Nevada Museum of Art, 2013

Making the Geologic Now: Responses to Material Conditions of Contemporary Life, eds. Elizabeth Ellsworth and Jamie Kruse, punctum books, 2012.

“Poetics of Nightsoil,” in Architectural Inventions, eds. Matt Bua and Maximillian Goldfarb, Laurence King, 2012.

“Resonating with the Geologic,” in Table of Contents, Laura Moriarty, 2012.

“Touring the Nevada Test Site: Crossed Sensations and Perceptions,” in Public Pedagogy: Education and Learning Beyond Schooling, Routledge, 2009.

“Shelters of Exposure: Giving Form to Interdisciplinary Exchange,” in Chris Drury: Mushrooms/Clouds, University of Chicago Press, 2009.

DIGITAL PUBLICATIONS + PRESS:

“Is Not the Anthropocene a Thundering into Who Knows What?” in ASAP/J: Forum: Climate Change, Apocalypse, and the Arts of the Present, eds. Dan Sinykin and Jessica Hurley, Association for the Study of Arts of the Present, Johns Hopkins University Press, 2018

"Steps (ippo ippo ippo)", Lexicon for an Anthropocene Yet Unseen, eds. Cymene Howe, Anand Pandian, Journal for Cultural Anthropology, August 2016.

Interview, "Artists in Conversation", BOMB magazine, online, May 2014

"Look Only At the Movement," Places: Design Observer, September 2013

“Siting A Geologic Turn,” 2011 Art + Environment Conference,” (Part 1 and Part 2), PopTech, October 2011

“Food for Thinkers, Eating Rocks,” GOOD Magazine in collaboration with Friends of the Pleistocene, January 2011

PopTech Interview, "An Obsession with the Past Projects Friends of the Pleistocene into the Future", February 2011

“Geologic City,” Urban Omnibus, December 2010

Live blog from the Albuquerque Museum, LAND/ART Panel, June 2009

Why We Travel, New York Times, September 2009

Live blog from the Nevada Museum of Art, Art + Environment Conference, October 2008

Live blog from the Whitney Museum’s Buckminster Fuller Symposium, September 2008

“Becoming Human | Artist: Moving in Accord with the Change that Makes the World,” Performance Paradigm #4, 2008

“Limit Cases,” Polar Inertia Journal, Issue #29, August 2007

SELECTED PRESENTATIONS + WORKSHOP FACILITATION:

Being Alone, Sharing: Conversations on Survival, Leubsdorf Gallery, Hunter College, NY, April 2018

artist mentors, A Workshop with DJ Spooky, in HUMAN TIME Exhibition, The Climate Museum and Parsons School of Design, New York, NY, January 2018

“Amulets for the Anthropocene: Practices for Living in and as Change,” Davies Forum Lecture, for “Making Sense of the Anthropocene,” San Francisco University/Golden Gate
Park, San Francisco, CA, October 2016

“Walking in Hypotheticals,” at The Hypothetical: Institutions, Fictions, Environments,
Institute of Modern and Contemporary Culture, University of Westminster, June 2016 (commissioned digital presentation).

Cultures of Energy, CENHS (Center for Energy and Environmental Research in the Human Sciences), Rice University, TX, April 2016

“Uncovering Deep Time in Midtown: A Walking Tour,” Museum of Modern Art (MoMA), New York, NY, April 2015

Special Lecture, New York Mineralogical Society, April 2015

Visiting Artists, Temporary Expert /“The Anthropocene” edition, instructor Marina Zurkow, ITP, New York University, February 2015

The Geologic Imagination: Sonic Acts Festival, Amsterdam, Netherlands, February 2015

"Practices for Turning Into the Anthropocene,"Sunday Salon, hosted by Katie Holten and Dillon Cohen, New York, January 2015

Resource Imaginaries, Radical Materialism: Making the World Matter, CUNY Graduate Center, September 2014

“Renga for the Fifth Season,” Co-facilitated with Oliver Kellhammer, September 2014
Cartography Primer No. 2, Phats Valley, Truro, MA

“Look Only at the Movement,” Santa Fe Art Instititute, May 2014

“Inhabiting Change," June 2014, Small Projects Gallery, Tromsø Academy of Landscape Studies and Tromsø Academy of Contemporary Art, Norway

“Artists Out of Context – Forays Into the World,” Brooklyn Public Library, March 2014

“Field_Notes Deep Time,” Art and Science Field Laboratory, Kilpisjärvi Biological Station, Finland and Finnish Academy of Fine Art, September, 2013

“The Anthropocene Project,” Haus der Kulturen der Welt, Berlin, Germany, January 2013

“Emotional Elements,” Program for the Study of Women, Gender, and Sexuality, Johns Hopkins University, November 2012

"Zuihitsu: Look Only at the Waves," University of Southern Maine, Department of Art and Galleries, October 2012

Repository: A Typological Guide to America's Ephemeral Nuclear Infrastructure, launch party and presentation, Proteus Gowanus, Brooklyn, NY June 2012

Landscape Journeys research project (based in Reykjavik, Iceland), a project of the Institute for Urbanism and Landscape, Oslo School of Architecture and Design, supported by the Norwegian Research Council, May 2012

“Streaming Landscapes,” Landscapes of Energy Conference, Oslo School of Architecture and Design, May 2012

“Amulets for Infrastructure,” Kyoto University of Art and Design, April 2012

“Vibrant Matter and the Power of Configuration,” Energy!, Vera List Center for Art and Politics, The New School, March 2012

“The Geologic Turn: Architecture’s New Alliance,” A. Alfred Taubman College of Architecture & Urban Planning, University of Michigan, February 2012

“The Journey Form, Movement as a Way of Knowing,” McKinney Avenue Contemporary, Dallas,TX, February 2012

"Speculative Design," workshop with Aalborg University, Denmark, Red Hook, Brooklyn, October 2011

Musagetes September Cafe, Sudbury, Ontario Sept 14-18, 2011

"There is no Zero: Continuous Remix in the Geologic City," Oslo School of Architecture and Design, Oslo, Norway, May 2011

Landscape Futures: Super-Workshop, facilitated by Geoff Manaugh, hosted by The Center for Land Use Interpretation, Los Angeles, January 2011

Design and Existential Risk, Parsons School of Design, November 2010

"The Oil Spill," Vera List Center for Art and Politics, The New School, October 6, 2010

“Collaborative Chronographers of Ancient Lake Bonneville: Artists and Scientists Below the Line,” Collaborations between Art and Science panel, SECAC conference, October 21, 2010

“Coming Home to the Pleistocene,” Wellfleet Library, June 2010

"Geologic Time Viewer," poster session, humanities + digital visual interpretations conference, Massachusetts Institute of Technology, May 20-22, 2010

Artist Project, Worlds to Come: A Field Guide, distributed at Geo-Aesthetics in the Anthropocene Conference, Salisbury University, May 24-26, 2010

“Invisible Pedagogies,” Complutense University of Madrid, Faculty of Fine Arts; Thyssen-Bornemisza Museum, Madrid; University of Barcelona, Cultural-Pedagogies, April 2010

Visiting Artists, “Being There: The Wendover Artist In Residency Program of the Center For Land Use Interpretation,” Curatorial Practice program, California College of Arts, February 2010

Web 2.0 Pedagogy workshop, Pennsylvania State University, School of Visual Arts, March 2009

“Mutual Contamination at the Limits: Becoming Human|Artist,” Performance Format American Studies Association Convention, Albuquerque, October 2008

Think Partner Global Conference, “EarthShapes” poster presentation, Oracle Education Foundation, San Diego, CA, July 2006

Visiting Artists, “Integrated Foundations of Media Theory and Design,” New School Media Studies Program, February 2006

Visiting Artists, “Narrative Research,” Teacher’s College, Columbia University, March 2006

“Designing Times and Places that Invite Learning,” The Prairie Persists-Exploring Connections, Val Marie, SK, October 2005

“Exploratory Mapping, Interdisciplinary Approaches to Media Studies and International Affairs,” Co-facilitated with Heather McRae-Woolf, October-December 2004, New School University, New York, NY